Tuesday, October 29, 2013

The Crying Man & The Can Man

Bridge to Terabithia was one
of my favorite "juvenile lit" books,
and they made it a terrible movie.
This weekend, my current boyfriend and I went up to Lake Lanier and explored several islands--from tiny ones no bigger than a beach with two trees to great big ones, miles long end-to-end, with their own ravines and deer and sub-islands and even ancient ruins.  It was a grand enterprise that made me feel like we were the adolescent boy and girl from Bridge to Terabithia.


While the trip was mostly a blast, full of beautiful, natural sites and wonder, there was one dark cloud that hovered over every stop we made.


Garbage.


Every single time we would roll up on a beach, seemingly pristine, almost like we were the first to discover it, wouldn’t take long before the evidence of previous human visitors became glaringly obvious.  With our boat perched on the sand, the promise of island adventure before us, sometimes I would just stand there for a second and stare at the strewn beer bottles and cans and styrofoam pieces, and think of old Iron Eyes Cody and what an impact that commercial had on me as a kid. (Although, ironically, I just learned in looking for this link that said memento contained a bit of controversy. Ah well, yet another childhood illusion shattered.)

This photo was blatantly
"borrowed" from here.
Christmas 1994
View from my window at the
Buffalo Mountain Camp Retreat Center.


Just last week, I found myself, quite unexpectedly, commit an act somewhat out of character for me. I was driving along when someone threw their trash out a car window right in front of me on a city street. Before I could even think what I was doing, I honked my horn and threw up a single, hot pink, gloved finger. Now, I really know better than this. Particularly in the neighborhood where I was driving, and really anywhere, it's best not to provoke strangers in such a manner.

I don't know why, of all the crimes and misdemeanors against humanity and nature that people commit on a daily basis, litter gets my goat so greatly. More than anything, I'm pretty sure it's because, even when not on a conscious level, it reminds me of my grandfather.

My Papa was a quiet man. He loved a few things in life, and he loved them all quite fiercely. When I think of him, I have sense memories of Wrigley's chewing gum, old fashioned thermoses tucked into old fashioned, black lunch pails as he left for work at the TVA plant, and coffee cans with paper towels stuffed into them to collect snuff spit.

In the mid 80s on into the early 90s, our family suffered an incredible amount of loss, including the unexpected deaths of two his three children, both in their early 30s; Papa's health began to decline as happens when a person enters into his last part of life. In the space of just a few years, he had open-heart surgery, both of his knees were replaced, and I think a couple other things I can't remember. My mom could tell you better. What I do remember, though, is that after all that, he landed headlong into some deep, dark depression that eventually led to bipolar disorder. And for all of that, healing of knees, heart, and spirit, the doctors agreed he needed to get up off his La-Z-Boy recliner and start walking.

And he did!

He walked all up and down the country roads and highways of East Tennessee, and somewhere along the way, discovered the best way to keep himself motivated was to make his adventures functional. He started taking garbage bags with him, fashioned a little contraption with which to spear cans.

Papa would take his cans and bottles to the recycling center and donate the money he got in return to the church for renovation projects. Before long, my Papa became known as The Can Man.

One glorious autumn day, in the year after I graduated from college that constituted my Wandering Phase (living at home & camp, working about 4 jobs at once), Papa came up to camp, and we spent the day together picking up cans on the six-mile stretch Dry Creek Road. It was one of the best days of my life. We shared secrets and long stretches of shared quiet time as we walked and things I won't even tell you about here--guess those are secrets too.

On that day, and this past weekend, I just kept thinking about what a beautiful person Papa was, that he could take the ugly, discarded refuse tossed away so carelessly by other people and turn it into a gift for others, as well as his own healing.

On his final day on this earth, Papa got up, ate his breakfast, looked at my grandmother and asked "Where do you want to go today?" They tossed around a few ideas, and decided he would take her clothes shopping in Kingsport. When they got to the store, as was totally his usual, he let Ma off at the door, told her he'd park the car and be in later. He was going to walk the parking lot for a while.

That's where they found Papa not long after. The doctors said that he was probably dead of the massive heart attack before he ever hit pavement.

In my mind's eye, when I picture the scene, the crowd of strangers gathered around, working on his body, I like to think of him, arm outstretched. Maybe three feet away there lies one, final, flattened beer can...just out of reach.




Tuesday, October 22, 2013

poem


Green oranges at St. Bernard's Parish in New Orleans.
I was told they shall be ripe by Thanksgiving.
I wrote this when I was in New Orleans this past weekend.  Just wanted to archive it somewhere:


neither straight nor bent
neither up nor down
neither fearful nor free
neither lost nor found

neither old nor young
neither naive nor wise
neither, maybe both
seeing with clear eyes

we'll live as though time is
     abundant
but we will not spend it
     with reckless abandon
let us shore up our house
join hands
     & dance
in the psalm of
     love & life

"The Navigator"





Here's a link to my second episode of The North Avenue Lounge - click here.

Many thanks to Billy Gewin of Cave Cricket Studios for the recording & editing support.

Friday, September 20, 2013

I Am Dexter, I Am Walter White, I Am US!


Borrowed from Scotch Cinema Blog
In the next couple of weeks, two of the most fascinating shows that have characterized "The New Golden Age of Television" will be wrapping up.  Both Dexter and Breaking Bad have kept millions of watchers enthralled Sunday nights with their high drama, compelling characters, and more than anything, they've kept us leaning forward in desperation with their achingly short seasons.

Both Dexter and Walter White of Breaking Bad are fascinating character studies for sure, and I find myself thinking about them a lot.  Other shows that have dotted the popular landscape during this Golden Age include:
  • Deadwood
  • Luther
  • The Sopranos
  • True Blood
  • Justified
  • Weeds
  • Sons of Anarchy
All of these shows' leads are deeply flawed, conflicted, often morally bankrupt, and yet, through the magic of brilliant storytelling, somehow we wind up actually cheering for them.  They are the very definition of the anti-hero, but their occasionally heroic deeds, and more - because we wind up learning so much of their backstory and motivations, their beautiful complications - we simply forget that they occasionally beat their wives, steal, kill people and get away with it all. Mostly.

Still, I just can't stop thinking about these heroes we're so fascinated with these days and how they compare with the role we play on the global stage, particularly while the U.S. is considering missile strikes on Syria.  Once again, we're acting as know-it-all parent to the world.  It's complicated for sure.  I've heard the arguments about why we can't sit idly by and let anyone use chemical weapons, even if it's against their own people.  I've heard the arguments about the foolishness of rushing into yet another war.

So, why, you ask, am I thinking about Dexter and Walter White when I think about U.S. v. Syria?

Let's look at Dexter.  By all rights, the character is a psychopathic serial killer.  He may have his tragic genesis story, his code, and his evolution toward emotional connection & compassion, but at the end of the day, he's still a serial killer who hunts people down, kills them, and leaves their chopped up bodies on the floor of the Atlantic Ocean.

What's important to remember about Dexter, though, is that code.  He only kills other killers.  He stalks those he believes have committed atrocious crimes, and before he kills them he ceremoniously holds up pictures of all their victims.  Dexter sees himself as ridding the world of bad people, his own personal crusade.  He just conveniently has this dark passenger inside him that compels, or even, emboldens him to do so where others would not.

How like us (U.S.) that we see ourselves ridding the world of bad people?  

Walter White, of Breaking Bad, begins his character's journey when he's diagnosed with cancer.  He's an intelligent man, trapped in middle class existence.  His cancer treatment leaves him on the edge of bankruptcy.  So, tish tosh, piddly poo, he becomes a drug dealer to make a little extra on the side. Before Walter White can bake up too many batches of crystal meth, we realize he's stumbled headlong down the rabbit hole.  His character changes as he makes grander and grander mistakes. He gets better at rationalizing and deceiving.  At some point, you can almost imagine him taking out his moral compass, stomping on it, and burying it in the dessert like so much drug money.

How like us (U.S.) that we defend our actions, the dirty deals we make and the people we kill, the money we hoard and lord over the world, because we think we're protecting our "families", our interests?

Remember back in the day when heroes rode around in white cowboy hats and were not very complicated?  Straight up good vs. bad? Cops vs. robbers? Now, the cops are dirty and the robbers are really trying to support their families and start a new life.

Please hear me that I very much trust and appreciate this newer style of storytelling.  It's highly entertaining. And, I think, it's more realistic.  The problem with the way our entertainment used to exist was that, not only was there not as much complexity, there also wasn't as much diversity. Now, instead of cowboys and indians, we have American Family and The Wire.

I'm just simply saying that the stories that are emerging from our popular subconscious these days might perhaps be a retelling of something we're perpetuating over and over again.  A feedback loop as it were.  No matter what, we've decided we're, dare I say Justified?, in our actions in all their moral complexity.

After all, does make for a better story.


Monday, September 09, 2013

North Avenue Lounge




Hey, Friends and Fams.

I know it's been a while.  Have no excuse.  This year has been a wild roller coaster of international travel, professional growth, and some heartbreak thrown in there for good measure.  

But now, I bring you some exciting news.  I'm going to be periodically guest hosting the North Avenue Lounge on WREK Atlanta, 91.1 FM, Mondays @ Noon Eastern. My first show airs next Monday, 9/16, featuring an interview with Slash Coleman as we discuss his new book, The Bohemian Love Diaries (available on Amazon.com, at Barnes & Noble, and at Audible.com ~ read by the author himself!)

If you miss us on air, you can listen on the website or by podcast at: http://northavenuelounge.com/

Listen to Slash sing a song from the forthcoming show based on 
The Bohemian Love Diaries.

This may turn into a monthly thing for me, so I'm pretty excited.  Tune in if you can!

(And don't forget to let me know how and where in the world you are.)

[After note: Click here to listen to the show because the archive version is now up.]

Monday, February 11, 2013

Arts Health Day

This past weekend, Alternate ROOTS (the organization I work for), joined forces with C4 Atlanta and WonderRoot to create a Health Day for Artists.  We were each inspired for different reasons to support our local arts community in this way.  Personally, my driving force was all the fundraising we've had to do for our artists at ROOTS when they come upon a devastating illness, most notably Jo Carson.  It's never made sense to me that, in anyone's time of most extreme need of physical illness, they are also faced with mounting financial debt and the stress that entails.  I always think about that in rural restaurants when I see those cardboard card standups where you can add a quarter to someone's diabetes or cancer fund.  Those quarters seem so hopeful and so ridiculous to me.

Anyway, in an effort to try and support our local artists that was somewhere between the cardboard coin collector and systemic healthcare reform, we hosted a day for our artists, that included a health resource fair, lecture/demonstrations, biometric health screenings, and a speaker about the Patient Protection & Affordable Care Act (aka Obamacare) and how it will hopefully improve our support to individuals and small businesses.

Our local NPR station came and did a great follow-up story about the day.  Please read and/or listen to it here.

Monday, January 07, 2013

Cucalorus Film Festival

Hey, Friends & Fans.

I had the good fortune to publish another article on Arts in a Changing America.  This one is about the Cucalorus Film Festival and why everyone should go.  Here it is!

Thanks for reading.

Cheers,
Shannon